installation views
Installation views and project descriptions of inter-disciplinary works.
RESONANT CURRENTS
This group exhibition at the Baltimore Theater Project brings together the visionary works of Farida Hughes, Caryn Martin, and Artemis Herber. Inspired by the elements and forces of nature, these artists invite viewers to explore the depth of their senses, their observations, and their relationship to the natural world. Curated by Liz Faust.
In Resonant Currents, collaboration emerges as both method and message. The artists draw inspiration not only from their disciplines but also from each other, weaving a shared vision that explores how nature mirrors the human experiences of growth, erosion, and renewal.
The exhibition is supported in part by the Maryland State Arts Council (msac.org).
Below the Surface
Below the Surface is the experimental, collaborative, art and music experience by visual artist Farida Hughes and musician Matthew Keown. A novel evening of visual art and music, the performance uses inspiration from both the generative and erosive power of volcanic activity and the creative forces of nature to parallel the act of artistic creation.
Farida’s artwork Below the Surface is an inter-disciplinary piece combining works on paper backlit with an engineered light performance. Perforated pages are layered with hand-dyed and hand-painted papers and illuminated via LED lights. The choreographed light-box program is performed in tandem with the Below the Surface solo percussion score. Inquire to schedule a performance or request to see Farida’s light-box artwork.
ENTANGLEMENT
Walker Fine Art is pleased to present ENTANGLEMENT, an exhibition exploring the intricate connections between identity, memory, and the experiences that shape our inner and outer worlds. Through unique materials, gestures, and symbols, these six artists delve into abstraction to engage with profound themes of interconnectedness, sparking reflection on our individual and collective existence. The work reimagines the fragments of life as elements of a cohesive whole, blurring the boundaries between past and present, natural and artificial, as well as the physical and spiritual.
Featuring: Farida Hughes, Brandon Reese, Blair Vaughn-Gruler, Doug Haeussner, Deidre Adams, Danny Williams
On View: through Saturday March 8, 2025
Seeing Through Masks
Three-dimensional hanging composition contains three entry points enabling viewers to step inside and experience the emotional nuances. The content addresses the idea of masking in ways in which we choose to hide and reveal ourselves in societies, and how it may feel to be a new person in a community or culture. Mesh and netting is embedded into resin to form the masks, allowing distorted views from the inside, plays of light and shadow, and buoyant shifting considerations of what is in proximity to one’s physical body and senses. The piece invites contemplation on how we inhabit different worlds.
Resin, oil paint, mesh, fabric, found objects, 60 x 60 x 96”, 2018-2022. First exhibited in “Between the Stripes, Under the Stars”, at the Catherine G. Murphy Gallery, St. Catherine’s University, St. Paul, MN, 2022.
ArtHounds review on Minnesota Public Radio
Photos by Rik Sferra.
vigil oval series
This project was from a solo exhibition in 2021 at the Athenaeum Gallery in Alexandria, Virginia.
Intended to offer a moment of reverence and remembrance for lives lived and lost, I invite the viewer to experience color and light while holding in memory and reverence our collective human losses and collective gratitude. Each piece is painted on Dibond cut with a CNC router. On the verso, Flashe paint in ruby rouge casts a subtle glow on the wall behind.
Healing is a necessary human experience. Our collective conscience has been trying to find healing in two extremes: one, with the coronavirus emphasizing death in isolation, we are robbed of healing, of processing forward with the dead, moving as a group with a body from one realm (life) into the other (death); and, two, as we come together in protest to voice concern over injustices in our communities we are, among other notions, moving en masse together to heal. Throughout history and today the candlelight vigil is used as a dignified way of uniting a community through honoring, celebrating, memorializing, showing support for a cause, and for collective healing.
Of the initial 30, many are still available. Contact me for how to purchase.
SPECTRUM OF BEING
On View September 10th, 2021-November 6th, 2021
Aristotle developed the first known theory of color, believing it was sent by God from heaven through celestial rays of light. From Newton to Geothe, studies on the spectrums of color and light have been conducted for millennia, and while the sciences of these matters are now widely accepted, artists continue to experiment with the use of these concepts to induce varying emotions through their work. In SPECTRUM OF BEING, 6 artists bridge the intuitive and the visceral to address the viewers’ individual life experiences. This exhibition serves as an invitation to the shared visual experiences of human existence.
This group exhibition features the work of Farida Hughes, Lindsy Halleckson, Jane Guthridge, Sara Pittman, Chris Richter, and Sabin Aell